From the Green Goblin to Nosferatu, Martin Scorsese’s Jesus Christ to Lars von Trier’s Antichrist, actor Willem Dafoe has cultivated a career out of taking risks. This year his gambles have paid off handsomely: At age 58, the Wisconsin native is having one of the best years of his career. He recently starred in this summer’s smash weepie The Fault in Our Stars and the ensemble comedy The Grand Budapest Hotel. This Friday, he dons a German accent and a slick suit to play a dodgy banker in John Le Carre’s espionage thriller, A Most Wanted Man (the film, which opens Friday, is one of the last to star the late Philip Seymour Hoffman, who died earlier this year).

Arguably the hardest-working man in show business, Dafoe discussed five of his latest roles with Yahoo Movies:

A Most Wanted Man

As Tommy Brue, Dafoe serves as a foil to Hoffman’s Günther Bachmann, a German spy on the verge of a nervous breakdown. “I didn’t know Hoffman personally before [we made the movie], but to work with him was to feel like you knew him for a long time,” Dafoe told Yahoo Movies. Of their scenes together — some of which take place in a sedan racing through Hamburg, Germany — Dafoe said: “His character bullied me in those scenes. You may be in a car and it may seem deceptively simple, but a lot is going on.”

The Fault in our Stars

In this smash adaptation of John Green’s young-adult hit, Dafoe played Van Houten, an embittered, alcohol-addled novelist who’s sought out by young lovers Hazel (Shailene Woodley) and Gus (Ansel Elgort). “The other day I was walking down the street in New York,” Dafoe says, “and these 11-year-old girls mobbed me and shouted ‘Van Houten!’ It was like the first time I had ever been recognized in my life. It was like starting all over again it was so unexpected. Sure, kids see Spider-Man, but there was a different kind of passion that young teenagers have when they saw me. They didn’t see an actor that played Van Houten. They saw Van Houten [himself].”

The Grand Budapest Hotel

In Wes Anderson’s latest ensemble-comedy, Dafoe played a menacingly silent assassin. “Wes has a way of assuring you of a good life adventure when you work on one of his movies. Wes showed me an animated storyboard with line drawings for the picture, and I remember after seeing it, I joked, ‘Wes, you don’t need any of the actors. You have a movie right here!'” As far as the atmosphere on the set of the film — which co-starred Ralph Fiennes and Bill Murray — Dafoe says it “was like the actors’ retirement home.”

Nymphomaniac: Volume II

When discussing his latest collaboration with renegade director Lars von Trier — in which he plays the scheming superior to Charlotte Gainsbourg — Dafoe downplayed his participation in the sexually explicit movie. “My involvement was minimal, a couple of days… When I watch it, it’s almost a movie I’m not in.” But he had more to say about their previous collaboration: “Looking at Antichrist, Lars was feeling very insecure and a little ill, he had great ideas, but he didn’t know whether he could actually finish the movie. He used to say, ‘I may not come to set tomorrow or I may not finish this movie.’ It was always scary, and required a huge amount of trust on our part.”

Pasolini

In Abel Ferrara’s biopic — which will open this fall, after premiering at the prestigious Venice Film Festival — Dafoe plays the title character, the controversial gay Italian director (The Decameron), poet and writer who was assassinated in 1975. ”Pasolini is someone I admire a great deal,” said Dafoe, who splits his time between New York and Rome. “He fascinates me. I immersed myself in Pasolini for three months, wore some of his clothes and carried a pen that Maria Callas gave him. Those little details connect you like little relics to the material. They put you in touch with the ghosts.”