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Critic’s Pick: ‘Dallas Buyers Club’

November 7, 2013 By Thelma Leave a Comment

Jared Leto and Matthew McConaughey in Dallas Buyer's Club

Must-See Movies Beyond the Blockbusters

Matthew McConaughey is on a roll with his roles: killer, outlaw, stripper and sadomasochist, to name a few recent outings. And the Texan that started out in Richard Linklater’s “Dazed and Confused” and had a gift for John Grisham in “A Time to Kill,” gives each new character a sense of the frontier American male updated. In “Dallas Buyers Club,” directed by Jean-Marc Vallee (“The Young Victoria”), McConaughey embodies a Marlboro Man caught in a world that changed between puffs.

That certainly describes McConaughey’s Oscar-worthy performance as Ron Woodroof, a swinging, swaggering rodeo rider – and homophobe — that discovers he is HIV Positive in 1986. As a man that holds on to a bronco between his legs as long as possible for kicks and cash, this Texan, inspired by a real man, is not about to give a deadly diagnosis a pass. And, so, when the FDA refuses to make the treatments available that could possibly save his life – or at least prolong it – Woodroof creates a co-op called the Dallas Buyers Club to pool money and scour the globe for healing options. And, what the hell, he makes some bucks while he’s at it.

[Related: Matthew McConaughey Talks Sharing Pink Robe With Jared Leto]

When the audience first spies Woodroof, the leathery dude’s having a three-way beneath the bleachers while in the adjacent rodeo ring, a bull gores a fellow contestant. It’s sex and death, baby, as Ron might say. Oh, and beer, too.

Ron is who he is — a swagger on two legs not an angel with wings. Woodroof doesn’t get the white glove treatment: He’s not a nice guy, or a particularly sympathetic character, but he turns a story about one man fighting the AIDS epidemic in the 1980s into an entertaining, even touching, Western with “High Noon” guts.

Jennifer Garner has a harder time navigating Dr. Eve Saks, the doctor who helps with Woodroof’s treatment, and ultimately befriends him, because her role is woefully underwritten. Not so that of Rayon (Jared Leto), the transgendered woman on the underground railroad of AIDS cures that Ron meets when they share a room at the local hospital.

[Related: TIFF 2013 Spawns Early Oscar Predictions]

Leto, the actor-musician (“My So-Called Life,” “Requiem for a Dream”), comes out of a four-year screen hiatus to nail the tragic beauty with her turbans and pocket books and pointed manicure. With Rayon, a character whose name is synonymous with synthetic, the Thirty Years from Mars frontman creates a damaged woman with a big heart that is absolutely genuine.

While recently, McConaughey has been on a juggernaut to Oscar recognition — “Killer Joe,” “Mud,” “Magic Mike,” and “Bernie” — it’s Leto that surprises with the unexpected depth and freshness of his performance.

Bottom Line: A tough slice of HIV history with killer performances from McConaughey and Leto.

Watch McConaughey and Garner discuss their “Dallas Buyers Club” roles:

Filed Under: Criticism, Movies & TV Tagged With: best actor, Best Supporting Actor, Dallas Buyers Club, Jared Leto, Jennifer Garner, Mathew McConaughey, Oscars 2014, Yahoo! Movies

Movie Review: Arthur

April 6, 2011 By Thelma Leave a Comment

Us Rating: ***

Russell Brand plays Arthur, a lovable alcoholic heir in NYC best explained by his aging nanny (a tart Helen Mirren): “He’s merely shaped like an adult.” The spoiled billionaire gets a wake-up call when his chilly mother threatens to freeze his trust fund. Her ultimatum: Arthur must marry domineering social climber Susan (a deliciously deceitful Jennifer Garner) to keep the cash.

Arthur accepts the offer — but then immediately falls for a free-spirited tour guide (Greta Gerwig). The hugely talented Brand nails his witty one-liners, such as when he says Susan’s lips make her look “like a sexy clown.” Garner embraces her inner bitch as his comic foil, and Gerwig (Greenberg) has a refreshing honesty that suits her softhearted working girl.

When the plot goes bigger than Brand’s personality, the movie runs off-course (a scene in which Susan’s contractor dad threatens Arthur by shoving his face toward a table saw is just uncomfortable). But largely, this is a laugh-out-loud romp — and the funnyman’s best screen role to date

Filed Under: Criticism, Movies & TV Tagged With: Arthur, comedy, Dudley Moore, Greta Gerwig, Helen Mirren, Jennifer Garner, Liza Minelli, movie reviews, Remake, Russell Brand, Us Weekly

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