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Inside Kevin Costner and Woody Harrelson’s Bromance in ‘The Highwaymen’

March 28, 2019 By Thelma Leave a Comment

I never envisioned Kevin Costner and Woody Harrelson as the stuff of bromance, two great tastes that go great together like chocolate and peanut butter or rum and coke. But, in Netflix’s new movie The Highwaymen that premiered at SXSW over the weekend, and will begin to stream on March 29th, the manly movie stars get bromantic as retired Texas Rangers Frank Hamer and Maney Gault who tick off the miles together in a cherry vintage sedan in pursuit of lover law-breakers Bonnie and Clyde.

The Highwaymen rides in on a well-worn track – as the miles increase on the odometer, the friendship takes shape and the men sitting side-by-side discover through a mutual goal that they have more in common than they might have believed during the opening credits. The road bromance has long been a Hollywood staple – and it appears ageless. (And is good for maturing talent: Costner is 64; Harrelson is 57).

The genre doubles the star power of a movie to give it a four-fisted box office boost, or expand the audience reach like a marketing Venn diagram. One recent example is Green Book, which took a critical beating on its way to its crowd-pleasing Best Picture Oscar by serving up Viggo Mortensen and Mahershala Ali packed together in a 1962 Cadillac deVille driving through the hostile South.

Among my favorite vintage road-mances are Bob Hope and Bing Crosby in Road to Morocco and many other roads traveled, Robert Redford and Paul Newman relying on literal horsepower in Butch Cassidy and the Sundance Kid, and the pairing of grumpy bounty hunter Robert DeNiro and prissy mob accountant Charles Grodin putting each other through hilarious hell on a transcontinental train ride in Midnight Run.

Or take Dean Martin and Jerry Lewis, who famously despised each other off-screen, making sweet movie music together in Hollywood or Bust – a movie where Federico Fellini’s sex goddess Anita Ekberg was only a blip between the two male leads.

Great on-screen chemistry between two men is the same genie in a bottle that characterizes a romantic spark. The arc is often one of mutual estrangement if not outright dislike or distrust, followed by a series of trials that test and ultimately strengthen the pair’s bond, and then an acknowledgement that there’s mutual dependence if not outright affection.

Unlike romance, this connection is rarely sealed by a kiss but by a grudging gesture, as it is on the side of that dusty long Texas road at the end of The Highwaymen (no need for spoilers here). Mush is for chick flicks.

And, in the case of The Highwayman, so is direct eye contact. Keep your eyes on the road, dude.

The chemistry works for Costner and Harrelson because in many ways they are actors of contrasting talents.

Still square-jawed handsome if a little stockier, Costner has built a career largely, though not entirely, on leading men parts like Hamer – personified as G-man Eliot Ness in The Untouchables on the hunt for Al Capone, or as the loyal defender at Whitney Houston’s side in The Bodyguard.

Costner is the epitome of the stoic American leading man in the Gary Cooper/Gregory Peck vein, born to play the pack’s strong-but-silent alpha dog. And age has not dimmed this, even if the opportunities are fewer and far between. (Maybe Netflix will fix that).

On the other hand, Harrelson is the more volatile and unpredictable – a character actor who also plays lead. He has a penchant for drunks and thieves in movies like The Glass Castle and Natural Born Killers. But in his moving role as the embattled and terminally ill sheriff in Three Billboards Outside Ebbing, Missouri he displays his talent as a powerful ensemble player capable of flying his most intimate feelings in front of the camera.

Because, in this crime drama, they both play older-and-wiser-and-slower characters, there’s an appealing mellowness to their interactions. Harrelson’s Gault is not the full-on crazy of the actor’s earlier career. And yet he’s still the gunpowder to Costner’s flint, the less stable element. His character’s volatility and emotional accessibility ultimately humanizes the stick-up-his-ass aspect to Costner’s Hamer.

That imbalance, that interaction, enables the bromantic chemistry. One doesn’t require music welling up, or a swooping crane shot, to see that these men connect, really connect. And, because they’re manly men with pistols on their hips, love means never having to explain yourself.

One element that separates bromance from romance: the protagonists need never ask that dreaded questions: How do you really feel? In this case, they just nod, spit and drive off in the same direction.

[This column first appeared on RealClearLife.com]

Filed Under: Movies & TV Tagged With: Bonnie and Clyde, bromance, Buddy Movies, Kevin Costner, Movies, Netflix, SXSW, Texas Rangers, The Highwaymen, Western, Woody Harrelson

Movie Review: ‘The Highwaymen’

March 27, 2019 By Thelma Leave a Comment


The Highwaymen is as dry and flat as the Texas plains where it’s set — and that’s a compliment. This is high-quality, straight-shooting filmmaking from John Lee Hancock (The Blind Side). His loping retelling of the Bonnie and Clyde legend focuses on the Texas Rangers who turned the young bank robbers into Swiss cheese in 1934 after an intense interstate man-and-woman hunt.

With Kevin Costner, 64, as retired Ranger Frank Hamer tapping his old partner Maney Gault (Woody Harrelson, 57) to boldly, if creakily, go where the FBI has failed to catch the larcenous lovers, the star wattage is high even when the tension is turned to very slow burn.

Age hasn’t dimmed Costner’s leading-man charisma. As a lawman of few words with an itch for justice, he carries the movie as if it were as light as the handkerchief he keeps using to dab the sweat from his lips. Sure, the skin is a little looser under his chin, and when he chases a young ginger boy carrying messages for the outlaws, he can’t jump the fence between them because his belly is in the way — but that only means he has to rely on his wits a bit more.

While Costner has, over his career’s course, largely played the good guy (and Hamer is certainly a variant of his Eliot Ness in The Untouchables), Harrelson is the switch hitter. From TV’s Cheers to Natural Born Killers to Three Billboards Outside Ebbing, Missouri, Harrelson has the range to be heroic and dangerous — sometimes in the same scene. Harrelson’s lesser-known gift as an actor is his generosity. In The Highwaymen, his shambling, perfectly calibrated counterbalance to Costner’s stoicism adds layers and richness to their interactions.

Texas is as much of a character as Hamer and Gault. The vintage autos and two-toned spectator shoes are as exquisitely rendered as any in Downton Abbey. And the car chases on unpaved roads — particularly one in which Clyde Barrow (Edward Bossert) leaves the Rangers in a cloud of dust — are sharply rendered and exciting.

Making strong but small support are Kim Dickens, 53, as Hamer’s wealthy wife and Kathy Bates, 70, as Gov. Miriam “Ma” Ferguson. As the outlaws, diminutive Emily Brobst and Bossert only have a glimpsed presence, cameos in their own crime saga. Ironically, in flipping the script on Arthur Penn’s classic 1967 beauty-and-blood fest Bonnie and Clyde, which paired Warren Beatty and Faye Dunaway as the legendary Romeo and Juliet of outlaws, Hancock’s movie all but erases the feminine presence that made that deadly duo both infamous and celebrated.

The love story here is purely man-o a man-o, between undemonstrative lawmen Hamer and Gault as etched by the symbiotic and uniquely satisfying performances of Costner and Harrelson.

[This review originally appeared on AARP]

Filed Under: Movies & TV Tagged With: aarp, Bonnie and Clyde, Kevin Costner, movie review, Netflix, SXSW, Texas, The Highwaymen, True Crime, Western, Woody Harrelson

Countdown to TIFF – 11 days – Movie Trailer “Seven Psychopaths”

August 26, 2012 By Thelma Leave a Comment

Martin McDonagh dialog. Great cast. Laughs. Tough guys saying “Shih Tzu.”

Filed Under: Movies & TV Tagged With: Christopher Walken, Martin McDonagh, movie trailer, Sam Rockwell, TIFF12, Woody Harrelson

Oscar 2012: Best Actor Roundtable

September 21, 2011 By Thelma 15 Comments

Brad Pitt,Moneyball,Baseball,Sports Movies

Pitt catches awards buzz

Next up for our Oscar roundtable, Sasha Stone of Awardsdaily.com, and USA Today film reporter Susan Wloszczyna and I jaw about the early Best Actor frontrunners. While I began by posting a list of the serious contenders, Stone dubs this the year of the Oscar Hottie:

Thelma: Let me throw out the first pitch on best actor: George Clooney in The Descendants is the frontrunner, but even Clooney admits that’s a position that takes incredible stamina. You’re just asking to be knocked off the block. Still, if any one can campaign for this award like a politician out of The Ides of March, it’s George. And then there’s his old pal Brad Pitt, with the one two punch of Moneyball and The Tree of Life, and he’s a star that every one wants to come to their party. And then there’s the bad boy: Michael Fassbender. I’ve yet to see Shame, and he’s definitely the year’s rising male star, but is that, or his repressed Jung in A Dangerous Method, Oscar-able?

Susan: Clooney in The Descendants is the safest bet for now. And Pitt could easily be in there for Moneyball.

A Dangerous Method is proving to be a divisive film as some dismiss it as a talky bore while others embrace how it reveals the rift between these two fascinating men of the mind as they have a tug of war over a patient who is a key to both their theories. Still, Shame feels like the one that will place Fassbender in the race.

However, the more time goes by, the less The Ides of March feels like a generator of nominations. It’s well made but its script feels like it is five years out of date and its revelations about politicians are few.

So where will the other candidates come from? I wish Paul Giamatti could sneak in with Win Win but that feels like an Independent Spirit Award type situation. More likely is Owen Wilson in Midnight in Paris, if the academy decides to reward Woody Allen‘s return to form — as well as Wilson’s own reawakening as an actor.

Leo in J. Edgar could go either way. I would feel more sure if this were a Scorsese film than an Eastwood. Tom Hanks in Extremely Loud and Incredibly Close? Daniel Craig in The Girl With the Dragon Tattoo? Gary Oldman — in the overdue club big time — for Tinker Tailor? All possible but mostly unseen.

And oui to Jean Dujardin for The Artist. He seems more likely than Ryan Gosling at this point.

Sasha: Hanks will be too small a part in Extremely Loud so, if anything, he goes supporting. And trust me, if the movie is as good as the screenplay it will rip your heart out.

The actors I’m thinking of right now are: [Read more…]

Filed Under: Celebrity, Movies & TV, Oscar Race Tagged With: Awards Daily, Brad Pitt, Coriolanus, Dominic Cooper, Entertainment, George Clooney, Jean Dujardin, Moneyball, Movies, Oscars 2012, Ralph Fiennes, Rampart, Sasha Stone, Susan Wloszczyna, The Descendants, The Ides of March, Tom Hardy, Toronto International Film Festival, USA Today, Warrior, Woody Harrelson

Oscars 2012: Best Actor First Look

September 15, 2011 By Thelma 1 Comment

OK, we’re just out of Toronto (at least I am). It’s a crap shoot as to who will make the best actor shortlist — but it’s not as much of a crap shoot as it was a week ago. This is going to be one very hot race. So, let’s start off with the shoe-in:

1. George Clooney, The Descendants

2. Brad Pitt, Tree of Life or Moneyball

3. Jean Dujardin, The Artist

4. Woody Harrelson, Rampart

Woody Harrelson,Robin Wright,Cynthia Nixon,Ben Foster,Oren Moverman,James Ellroy,Hot sex,The Messenger

5. Leonardo DiCaprio, J. Edgar

And don’t forget:

6. Michael Fassbender, Shame

7. Gerard Butler, Machine Gun Preacher

8. Dominic Cooper, The Devil’s DoubleDominic Cooper,The Devil's Double,Best Actor,Oscars 2012

9. Paul Giamatti, Win Win

10. Gary Oldman, Tinker, Tailor, Soldier, Spy

11. Ryan Gosling, Drive or The des of March

12. Tom Hardy, Warrior

 

Filed Under: Celebrity, Movies & TV, Oscar Race Tagged With: Brad Pitt, Dominic Cooper, Drive, Gary Oldman, George Clooney, Gerard Butler, J. Edgar, Jean Dujardin, Leonardo DiCaprio, Machine Gun Preacher, Michael Fassbender, Moneyball, Oscar Race, Oscars 2012, Paul Giamatti, Rampart, Ryan Gosling, Shame, Soldier, Spy, Tailor, The Artist, The Descendants, The Devil's Double, The Ides of March, TIFF11, Tinker, Tom Hardy, Toronto International Film Festival, Tree of Life, Warrior, Win Win, Woody Harrelson

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